Big Gold Dream: Scottish Post-Punk and Infiltrating the Mainstream

It’s great to see that so much great music of the late 70s and early 80s is still providing food 4 thought. Viva NuWave

For Malcontents Only

Big Gold Dream

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I’ve rewound to the early days of 1979. By this point independent music labels have started springing up in Scotland; there’s Sensible and Zoom in Edinburgh for instance, Boring in Glasgow, NRG in Dundee and No Bad in Dunfermline but they’re still a real rarity.

In an NME article titled Product Packaging, and Rebel Music, I read about the most high profile addition to this trend, Edinburgh’s Fast Product, whose first releases, singles by The Mekons and 2.3, had came out around a year earlier.

Bob Last, a former architecture student and theatre set designer at the Traverse, is interviewed and writer Ian Cranna concludes that: ‘Last has the potential to be what Brecht was in theatre,’ a statement that sounds mightily impressive even though at this point in my life I know as much about concepts such as Bertolt Brecht’s alienation effect as I do about quantum…

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